Stately oaks and exemplary funerary art make this a compelling destination. The setting—drawing visitors as early as the 19th century—found new admirers after the cover of John Berendt’s “Midnight in the Garden of Good and Evil,” published in the ’90s, made one sculpture a must-see monument. (Although Sylvia Shaw Judson’s 1936 work, “Bird Girl,” aka “Little Wendy,” no longer watches over the Trosdal gravesite, the piece can be viewed at
Telfair Academy’s Jepson Center for the Arts, 207 W. York St.) Even so, there is much more to photograph, especially toward the Wilmington River.