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POINT OF INTEREST

Church of Santa Maria delle Grazie (Chiesa di Santa Maria delle Grazie)

Piazza di Santa, Milan, ITA

Built by Duke Francesco I Sforza and later reworked by Bramante, the modest 15th-century Church of Santa Maria delle Grazie (Chiesa di Santa Maria delle Grazie) is known for housing one of Italy’s most celebrated works of Renaissance art—Leonardo da Vinci’s The Last Supper, which decorates the refectory wall of the adjoining Dominican convent.

Often overshadowed by Da Vinci’s groundbreaking mural, the convent’s church is a UNESCO World Heritage Site and important attraction in its own right. Explore both the interior and exterior of the building—from its Gothic nave to its elegant cloister—on a private guided tour with skip-the-line access to the church, refectory, and Da Vinci’s mural. Alternatively, many walking tours also include a visit to the church alongside other nearby highlights, including the Duomo Cathedral and Basilica of Sant'Ambrogio.

  • Entry to see The Last Supper is only allowed every 15 minutes for groups of 30 people at a time, and reservations are mandatory. Book your entrance ticket or tour with skip-the-line entry in advance.

  • The Last Supper tickets include entrance to the entire Convent of Santa Maria delle Grazie: church, cloister, and refectory.

  • Santa Maria delle Grazie is a place of worship, so attire that covers your shoulders and knees is recommended.

  • The church and refectory are accessible to wheelchairs.

Milano's Church of Santa Maria delle Grazie is located between the Cadorna Triennale and Conciliazione metro stations, or you can walk from the Duomo in just 15 minutes.

Santa Maria delle Grazie is busiest in summer, so private tours or skip-the-line tickets must be booked well in advance. The refectory is closed on Mondays and holidays. Entrance is free on the first Sunday of the month but reservations are still required.

Commissioned by Ludovico Il Moro in the latter half of the 15th century, this mural depicts Christ surrounded by the apostles in a composition featuring perspective and human emotion so revolutionary at the time that it changed the course of Renaissance art.

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